The infamous Hollywood sign / Photo: T Hoffarth

The plastic glory of Hollywood is revered and reviled the world over. Natalie Grant thinks we need to celebrate escapism as much as indie reality.

I ATTENDED A TYPICAL art festival recently, complete with emo-haired candlemakers and sexually liberated painters.

Eventually I spotted two normal-ish young gentlemen (what were they doing there amongst the oppressed peoples of the upper middle-class?) and what they were peddling: angry bumper stickers with a revolutionary message: F*$# Hollywood!

As any traveling American will tell you, it’s hard work facing stubborn opinions of our culture.

I’m no stranger to hearing the H-bomb, which is what happens when the somewhat oblivious dilettantes express their anti-mainstream sentiments towards many hard-working citizens in showbiz. Why must we always envision a maniacal development girl on her cell phone shoo-ing away scripts with any class in lieu of ‘high concept’ pieces with the magic formula?

As any traveling American (or Canadian who has been mistaken for one) will tell you, it’s hard work facing stubborn opinions of our culture. The fast food, the big cars… perhaps rightfully so. But I’m starting to enjoy defending this particular cornerstone of it.

During political turbulence, Hollywood usually plays a starring role: think Mr. Smith Goes to Washington, Full Metal Jacket, Inherit the Wind, The China Syndrome…

However – and I’m paranoid of sounding snobby when I use this disclaimer – I’ve worked at an international film festival for years, so I adore indies just as much (usually more). While that might give me incentive to drop the H-bomb everywhere, I usually don’t. Here’s why.

The Beauty Of Escapism

When I come out of a foreign cinema with any qualms whatsoever, I’m pelted with: “But you’re American. You just didn’t like [insert scene/actor] because it wasn’t Hollywood. It was realistic.”

Batman impersonator / Photo: don.lee

My nationality invalidates my taste, brands me with the Scarlett (Johansson) Letter. Suddenly I’m back in junior high, wondering why people are dissing my Batman slippers. Doesn’t everybody like Batman? The answer is yes, but it’s much cooler to splatter paint and write cuss words in magic marker on your Converse until you get detention. Now that’s art.

You see, movies learned to walk (and talk) during wartime. Not the kind we’ll all yell about tonight when we’re inebriated and angry about oil, but wars where college students were nurses, stockings were turned into parachutes and sailors kissed their sweethearts in Times Square.

“Going to the pictures” was escapism, because we needed and longed for it, as much as butter and paperclips. Cliché and unrealism were beautiful. In 2009, when ten seconds is too long to wait for something and we’re stuck in our idyllic suburb bubbles, now we’re longing for reality in a box.

Today, more ‘indie’ films are born daily than there are awkward clauses in a Michael Cera movie. That’s not a bad thing, as long as it’s understood that rewarding trailblazers and their minimalist mise-en-scene is not exactly world domination.

It’s evolution, and the last thing a butterfly should do is spit on a caterpillar.

What About Frodo?

You know what the real problem was? Not the bumper sticker itself, but that I’m pretty confident both its hucksters owned at least two copies of the Lord of the Rings between them.

Admit that at least a few of your favorite films had someone’s big fat wallet behind them, and that your life may be a tiny bit better for it.

If those maniacal production devils weren’t brave enough to bank on an obsessive, geeky nutcase (God bless you, Mr. Jackson), we would all be Frodo-less today, and probably Vader-less too.

Films like Star Trek, in spite of its anticipated brilliance and undeniable fun, are now out of fashion because of a lack of gritty reality or controversy, Spock’s eyebrows aside.

So come now, children, less complaining. The average moviegoer doesn’t have the stomach for The Machinist or the patience for Gus Van Sant’s occasional cinematic modern dance. They want Aniston. That’s alright.

And H-bomb-droppers still might see Tom Cruise’s movies because they’re usually good. Admit that at least a few of your favorite films had someone’s big fat wallet behind them, and that your life may be a tiny bit better for it.

Supporting Indie Films

Most importantly, actually start watching the films that need your support – that means paying for them, by the way. Helping an indie involves being one of its tiny statistics, not one of the moochers who appreciate it in silence.

You can’t just stare; you must put the bill in the thong if you want the stripper to feed her kids and come back tomorrow night.

The irony is amusing once you get it: some people justify their video piracy with “not financing rich execs who value profit over quality”… and yet said pirates clearly save money by sacrificing viewing quality. Hardy har-har, no?

My advice: when traveling, embrace opportunities to support foreign films in their home countries, not just the lucky films that get bought, shakily subtitled and shoved into Netflix. Also, indie means independently produced, not necessarily controversial.

Lastly, the exception proves the rule, so if you prefer the quirky exceptions, respect the mainstream rule. It’s possible to love both Parker Posey and Natalie Portman. Heck, you probably already do.

Now all I need is to fit all that on a witty bumper sticker.

Community Connection

Don’t miss 10 Movies Guaranteed To Blow Your Mind, and the aptly titled follow up 311 More Films Guaranteed To Blow Your Mind. Many of the picks are in fact, courtesy of big budget Hollywood.

What do you think of despising Hollywood? Share your thoughts in the comments!

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About The Author

Natalie Grant

Natalie is a writer, musician, and film festival junkie from California who has spent the last few years wandering the globe and getting into trouble. She lived in a backpackers hostel for a year and survived. Despite the excitement of new travels, her heart is still in Scotland.

  • BenF

    Nice article Natalie, I too enjoy shopping for offensive bumper stickers.

    Nevertheless, I think you need to write a sequel to this piece. You state “My nationality invalidates my taste, brands me with the Scarlett (Johansson) Letter” and don’t expand on this idea. This idea should be fleshed out and explored.

    With your perspective as being: American, a traveler (I’m assuming this based on the website) and a volunteer at an indie film fest (you must have seen indie films abroad too, as you prescribe the reader to do so as well) you are in a prime position to offer us insider views on why this transpires and the repercussions that can occur.

    Keep up the good work.

  • http://evaholland.com Eva

    Yay! Thanks for this.

    “Admit that at least a few of your favorite films had someone’s big fat wallet behind them, and that your life may be a tiny bit better for it.”

    Indeed. And if that statement really doesn’t apply to you, consider the possibility that you may in fact be missing out on something.

  • Brian

    I appreciate your piece and agree with it too (most of it, at least). The fact that we drop the H-bomb, with complaints of the movies they make is more a reflection on what our society asks for than anything else. Yes, wartime classics and escapists films appeal to many of us. But what is so dutifully criticized, and with good reason is our Hollywood, today’s Hollywood. And I don’t believe I have the allowance to list the films that should have never been made here.

  • Scott McD

    Brian,

    Maybe, yes, but you don’t expand on what you mean by “our Hollywood, today’s Hollywood” and just leave it hanging. To divert from your specific reply, the usual auto-dismissal of anything coming out of Hollywood comes with an assumption the listeners will agree “Oh, pshaw…nothing original, all crap!” – from my own circle of friends who proudly list Fight Club, Donnie Darko and the like as their big film influences. That thought deserves more examination, what should be dutifully criticized, or it’s just up there with “People suck” and “No one likes my poetry.”

  • Javier

    Nobody better than you to know about what we talking about!!You are so right to write what you writing,to many hours spent on the cinema…haha
    Honestly i love the article,improving everytime.
    Keep doing that Natalia.

    Cuidate

  • DHarbecke

    What’s this “H-bomb” thing? I always thought it was called an F-bomb. Or “fuck.”

    Natalie, I can see your point of view here: it’s simplistic to suggest the entirety of Hollywood product is garbage, just as it is to categorize someone’s preferences based on their nationality. But it’s also simplistic to deem any complaint about Hollywood as cultural snobbism.

    A lot of this was covered in Ian’s “Red Pill” article – cinematic taste varies. One man’s Brett Ratner is another man’s Wim Wender (or vice versa), and it’s wrong to judge people by their preferences. (You can, however, talk about what you do and don’t like about films and why, and that’s fine as long as you don’t trash someone for their often guilty favorites. But really, there’s no accounting for taste!)

    Just to say “Hollywood sucks” is pretty childish (to me), though I don’t think the “Emos” as you called them were going for depth. If you ask them, they might say why: “Because Hollywood keeps churning out the same populist formulas, and consistently getting stuff like ‘Rush Hour (x)’ is insulting to me”. That’s a fair complaint.

    Like you, I think the solution is to work with the system instead of abandoning it. But everyone has a right to their opinion, too, and if they don’t think it’s worth trying to fix – well, there you go.

  • Natalie

    DHarbecke:

    You’re absolutely right, ‘cultural snobbism’ is probably not the most healthy term. I really view it more like ‘lazy-people-who-generalize-rather-than-having-open-minded-debates.’ The guys with the stickers chose to patronize something enormously important to our culture – important for better and for worse – instead of targeting their disapproval at the root of the problem (which is many elements, in this case). It is nowadays a common fallback of youth unrest to auto-hate any large entity or corporation, regardless of any positive rewards.

    But I beg to differ with your point about ‘churning out populist formulas’ being a fair complaint. What I was trying to suggest in this article is that it’s not fair at all. A large portion of mainstream American cinema does cater towards the average moviegoer (hence, populist). But saying the ENTIRETY of Hollywood behaves this way is, unfortunately, a generalization, similar to when people assume Americans are not well-traveled. It might be true in some, or even most, cases. But it’s an unfair statement for the people who don’t fall under that umbrella. And the films that come out of Hollywood that are NOT ‘churned’ as you say, are getting… well, low-balled. I stuck up for them here because these are usually my favorite films!

    An example of a film that DID get screwed over by populist churnings-out is Terry Gilliam’s BRAZIL. As a result, although J.K. Rowling favored him as a potential director for Harry Potter films, he now refuses to work on any big-budgeted studio pieces because of his history of malicious interference from them (such as what happened with BRAZIL, which is a fascinating story).

    And lastly, the H-bomb phrase was a joke: something I invented because around many film festival circuits, people whip out that word and it’s actually as if a bomb has just dropped on the group – chaos everywhere!

    Thanks so much for the feedback. I hope I helped clear that up a bit :)

  • http://amanofnonation.blogspot.com/ Kevin Post

    Well done Natalie, thanks for the well written article.

  • DHarbecke

    I got what you were saying, though I did need help tuning in the H-bomb thing. Thought I’d missed something…

    There’s a great passage in Eric G. Wilson’s “Against Happiness”, which talks about the postmodern trend to “be above” things, and thus claim superiority to the people who enjoy them. I think that’s the trend you’re trying to point out, and I totally agree. Being dismissive is a kind of laziness, and it’s a pretty weak statement in the important, overall dialogue.

    I never disputed that some Hollywood films are worthwhile, I just tried to see where the sticker crew was coming from. All I meant to say was I can understand how people get tired of the same formulaic bilge over time. Of course they’re being reductionist – there are plenty of good films out there. But I really feel their pain, a problem which fouls up a lot of decent efforts and which you admit exists. I wish Terry Gilliam could go elsewhere to get his films made. I wonder what he thinks about Hollywood.

    If we’re talking bumper stickers, I remember the “Disco Sucks” from the 70s, and “Shoot Your TV” in the 80s. Oversimplified and trite, sure, but not without some point behind it. Saying “I hate my job” doesn’t demand qualification – I hope there’s something more articulate to back it up, but sometimes the declaration is all you care to say at the time.

  • lindsay

    really,
    you cant have one with out the other, out of these hollywood defined times for big budget blockbuster movies we are give a diamond in the rough. Without such epic sagas as you say as LOTR or and the age old war between nerdy Trekkies and Starwars followers, we are given a wondrous splenda of fantastic talent.

    Without the variety of films to see at the tips of our eye lids we would live in such a flat-lined zombie driven movie life that we wouldnt be able to feel connected with our visually stimulated lives.

    What the H- Bomb films lack they are replaced by the less acknowledge ones that give these indie films their depth and meaning

    love your article Nat
    Come back to scotland xx

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