Anne Hoffman enters cowboy country to meet some family.

ON THE WAY THERE Grandma gave me the silent treatment. I wouldn’t share a hotel room with her. And she hates to be alone.

We were driving across Illinois. In between moods Grandma and Dad would reminisce about sorghum breakfasts. I thought about how Dad grew up: the wood-burning stove, his parents’ divorce, the grandpa/father-figure who died when he was so little. He was only five or six.

We traveled further west and rejoiced when we hit the Missouri state line. Somehow, it felt like coming home. The towns had names like “Hannibal” and “Milan.” They were announced by green signs — “Milan: pop. 4,576.”

Dad was taking those rural roads a little fast. I wondered if he liked to joyride as a teenager. Somehow I doubted it. Grandma told me once that he would cry and go on if someone borrowed one of his books. Mom, tense and nervous, would emit rare clucking sounds when it was her turn to talk. She was preparing her “deep reservoir of kindness” — the thing dad says made him want to marry her.

We got there just in time for the viewing, and that’s when I learned that Kirksville, Missouri is cowboy hats, fried chicken, and old people, that when people sit and “visit,” they start stories like this: “He said to me, he said…” and the response begins with, “Well, I’ll tell ya…”

The men wore big cowboy hats and I knew I stood out. I have my mother’s face, curly, dark hair, and a crooked nose –- all of which signaled I wasn’t from around there. But everyone there was my cousin.

“Hi, I’m Anne,” I said to one girl.

“I know, I’m your cousin.”

The girl was 16, with blue eyes and blond hair, and I never would have guessed we were so closely related. But I didn’t know these people, not even a little bit. They are the other children of the divorce, the farmhouse matrimonial split that could have ended in murder or suicide. They grew up here, or in neighboring Iowa; they entered 4H cattle-showing contests to cope with adolescent dramas.

I grew up with punk rock and pro-choice rallies. As a kid, Dad moved around a lot. My Grandma was a teacher, and she took work all over the west to make ends meet. There were summers spent on the Missouri cattle ranch of her youth, where Dad grew bored of manual labor. He lived in Wyoming for a time. He went to college in California, then moved east, met my mom, and started a family.

When I saw it all again, the farms, the sad, lonely towns, the conservative cousins, the Christian pop-rock, it hit me hard, like the site of a wound I’d spent most of my life trying to ignore.

I hadn’t been back to Missouri since I was 14. When I saw it all again, the farms, the sad, lonely towns, the conservative cousins, the Christian pop-rock, it hit me hard, like the site of a wound I’d spent most of my life trying to ignore. My uncle’s funeral was full of townspeople. He either sold cattle to everyone, or taught them at the local college, or studied in Bible group with them.

At the viewing people were happy, laughing. Remembering the good times. Times I never experienced, because I was so rarely there. It was a motley crew for sure, angular haircuts that looked wrong instead of edgy, and cowboy boots, and cut-offs. I couldn’t laugh. I couldn’t smile. I was on the cusp of something, that great emotional expanse, that sea-inside feeling. I needed to hide. From time to time I would retreat to the bathroom, or the makeshift funeral home kitchen.

When I came out again, I realized that the guys around my age were staring at me. I was crying. I was also wearing bright red Doc Martens. They weighed the choices: It’s rude to stare at strangers, but such a strange stranger she is. There were older couples, the man with a blue baseball cap on and a buttoned-up flannel shirt, the woman with a solid, grey sweater, made for resisting the cold — their faces warm with compassion when I told them who I was.

And maybe, across the generational and cultural chasms, they saw it, the reason for my profound sadness, the answer behind why I couldn’t stop crying: My dad never got to know his brother. And there he was, lying dead in front of us, while people told childhood stories my dad knew nothing about.

    My Uncle didn’t go to school during the harvest.
    My grandfather needed him to stay home and help out on the farm.
    My grandmother never would have allowed that.
    Her family was education-focused, almost to a fault.
    But then, she wasn’t there.

During the funeral I sat next to my dad. His eyes are this light blue color, it almost seems impossible, given that he’s pushing 70. At the funeral his eyelids were rimmed with tears, except they weren’t tears, they were more like tiny wells with oceanic potential. And I saw that he was trying to keep it together, but something was flowing through him. Some immense grief he couldn’t control.

I asked him if he was sad to lose his brother.

“I lost him a long time ago,” he said.

At the funeral the pastor talked about how my uncle’s death was a “senseless tragedy.” So he spent the sermon philosophizing on this tragedy in his literalist view of God and the cosmos. “I know we talk about heaven a lot, how much we want to go there. But we never talk about what it really looks like.”

It is made of pearls and topaz, he said, full of mansions. When he was done, the people from the town, the friends, the distant relatives, left the rest of us alone in the chapel.

I watched my second cousin. She had just lost her grandpa. Her face contorted into the familiar signs of grief, and she let loose, as if to say, “finally.” I wept along with her, even though my uncle and I only spoke once a year, at Christmas. He would ask me how school was, and tell me about the farm.

Narrative


 

About The Author

Anne Hoffman

Anne Hoffman is a writer, teacher, and musician from Washington, D.C. She's lived with local families in five countries - among them Mexico, Chile, and France. Anne currently lives in an old townhouse full of strong women and strange animals in Washington. She blogs at AnneHoffman.wordpress.com.

  • http://wayworded.blogspot.com/ Hal Amen

    Great to see some more narrative from you here, Anne. Enjoyed this.

    • http://www.facebook.com/profile.php?id=4300940 Anne Hoffman

      Thanks, Hal! <3 <3

  • http://www.foggodyssey.com/ Anonymous

    Sorry for your loss but what was the point of this article other then your own ramblings? I mean seriously, no ending to tie anything to it, one sided… was just disappointing to read and pointless unless someone recently lost a family member too or knew you personally.  This is a post that should go on a personal blog not Matador.  Sorry just stating my thoughts on it and why.

    • http://wayworded.blogspot.com/ Hal Amen

      sounds like you’re having a rough week, foggy. maybe step away from the compu?

    • JoBerg

      Certainly fair that these are your thoughts but I beg to differ on this one, friend. 

      While yes, this is a personal reflection and frankly one that I believe we should feel privileged to have on Matador, I suggest taking a minute to actually examine the layers of the piece. This certainly does belong here. It embodies the travel experience: physical and temporal. 

      Give it another shot. 

      And great work, Anne. Really a nice read.
      Cheers!

      • http://www.foggodyssey.com/ Anonymous

        Yeah pretty much knew I would be a bad guy to say anything not loving to someone in grief… but asking me to reread this would be the last thing on earth I would do (not really but I’m pretty cut and dry like that). Don’t need to step away from the computer or reread to have my opinion but to each their own.

        Just staying this story could have been something but it just felt like reading 2 pages in the middle of a 30 page chapter, in a 20 chapter book.  All i am saying was what the hell was it about, the closure, meaning (other then her struggles with her past and home roots there) which sorry after reading it my question was “Great that was a waste of 5min! What did I get out of it, nothing. Narrative was ok but there was no point to it… esp the ending!  Not sure what Matador pays writers but why would they pay for this?”  If that makes me a troll for thinking it, or a bad guy, ok.

         

        • http://matadornetwork.com Carlo Alcos

          Hey, everyone’s entitled to their opinion. I enjoyed this…it’s storytelling, there doesn’t need to be an “obvious” point to it…different people will take different meanings from it, it will hit individuals differently. Why does writing need closure? Life itself continues on; there is no closure. 

        • http://www.facebook.com/profile.php?id=4300940 Anne Hoffman

          Well doll, I am sorry it was a waste of those five minutes.  Meaning is subjective. This is a personal piece. We see it differently. Now, you’ll never get those five minutes back, so why worry about it?

  • Laurie

    Kirksville … My hometown. Great writing and memories. Thank you!

    • http://www.facebook.com/profile.php?id=4300940 Anne Hoffman

      You’re so welcome!!

  • http://www.facebook.com/profile.php?id=1301250037 Courtney Small

    Hello Anne,

    I usually really enjoy reading your articles however I was really disappointed with this piece. Everyone is entitled to their opinion, but I think you should reconsider a few things.

    You seem to have a very closed minded view of the Midwest for having grown up so liberally. I grew up listening to punk rock as well, in a town 30 minutes outside of Kirksville. I live in Chicago now but I still think that the best people I know come from Kirksville. There is less of a pretentious vibe there. People hold doors open for each other. You felt that people there were judging you for wearing red shoes, however you wrote an article downgrading the entire town, making it seem as if everyone who lives there “wears a cowboy hat and eats fried chicken.” I know several vegans and vegetarians from Kirksville. What is wrong with cowboy hats? Cowboys are badass, have you watched the movie Tombstone? I highly recommend it. The people who live in Kirksville are not cowboys. The people you are stereotyping are farmers. They are responsible for growing and distributing our food. Agriculture is a very important part of our lives, at least to those of us who eat food, as I’m sure you do. These people work hard. They are brilliant. You should have been asking them questions and exploring instead of judging everyone. Despite the fact that you were there for a funeral, you could have ended up meeting some amazing people and had a great time.

  • http://www.facebook.com/profile.php?id=4300940 Anne Hoffman

    Hey Courtney, 
    Thanks for reading the piece, and I’m glad you’ve enjoyed my other articles. To your points — this piece is really about grief and culture shock. It’s written from that place. These are not the views I hold about the entire midwest, or even the entire town of Kirksville. 

    As regards your suggestion that I could have met some amazing people — I did. My own cousins. 

  • Mary Dollins

    Yeah I’m going to have to go with Courtney on this one. I have also enjoyed your other pieces, but for me this one was painfully stereotypical. The cowboy thing threw me off as well; they’re definitely farmers. I’m from Missouri and having traveled widely I’ve dealt with most people either not knowing where Missouri is located, not knowing one single thing about the area, or having a negative and mistaken opinion of the state. I’m actually really surprised this story was published on Matador without significant editing of the sweeping generalizations and speculation. I think that if this story was set in pretty much any other state (where the Matador community would be more familiar with the setting), the generalizations would not have made it to the published version. There is so little (if anything?) on Matador with a focus on Missouri, so this was kind of a bummer for this to be the representative article. Definitely got me thinking about writing a “Missouri Misconceptions” article, though!   

  • http://www.facebook.com/profile.php?id=4300940 Anne Hoffman

    “The cowboy thing threw me off as well; they’re definitely farmers.” 

    When my Uncle was alive, he raised cattle. I think that’s where “cowboy country” comes from (it’s not my caption). 

  • https://twitter.com/#!/emilyharent Emily Hanssen Arent

    I’m surprised to see so many disapproving comments here. I really loved this piece, Anne. It was melancholy and beautiful and I just loved it.

    I think the people who didn’t like it don’t really understand the point of narrative writing. It’s what you saw, how it made you feel, and how you personally interpreted the town and the people from your frame of reference. If you tried to be “fair” or apologetic about your interpretations, it wouldn’t sound authentic. I don’t know you, but good narrative writing always tricks me into thinking that I kind of do. Great job!

Family Relationships →

I decided I could live rural, while rural Newfoundland lives.

Narrative →

An immigrant and an expat are not the same thing.

Narrative →

You can't go anywhere and just get a fresh meal. You have to go to a chain restaurant.

Narrative →

Just for kicks, I left a Syrian coin on a rock by the skidder.

Narrative →

Wasps and bees poured from the walls as the machinery did its job.

Narrative →

If encyclopedias could talk, they'd sound like a retirement home.

Narrative →

I hear, “rich white stranger from America who has no business being here.”

Narrative →

The social networking, the being interested in what others had to say, everyone wanting...

Writing →

"You approach from the south and drive across flat desert toward what seems to be an...

Narrative →

Down the road I thought, ‘This must be the only country in the world with street signs...

Narrative →

Robert Hirschfield reflects on the absence of words between two travelers and how that...

Culture + Religion →

Christine Garvin makes an admission: she doesn't know how to deal with death.

Narrative →

Mary Sojourner "discovers" a place far off the desert West of magazine ads, then returns...