Photo by Robert Hirschfield.

Robert Hirschfield visits the Bodhi tree where “a man got it straight about suffering.”

WHEN THE WIND MOVES through the Bodhi tree at Bodh Gaya, more than the leaves move. Pilgrims sitting in contemplation beneath the tree chase after the leaves like mad hens.

Sometimes monks will watch them and smile. Sometimes, sheepishly, they will join in.

I am against participating in mad dashes. My anti-social side is too well-developed. Once, riding the Number 2 train in Manhattan, two men engrossed in a gunfight, stormed into my car. Everyone exited, screaming and tumbling. Only I remained, clutching my copy of The Brothers Karamazov, putting privacy (relative as that was) over safety.

I am against participating in mad dashes. My anti-social side is too well-developed.

I had always wanted to visit Bodh Gaya and see the tree, where many centuries ago, a man got it straight about suffering. A shrine without a blood component.

The first time I saw the tree I fell in with a cluster of Sri Lankan women, all in white, like a delegation of swans.

Seeing it inside its protective gapped fence (I imagined it unenclosed, unlimited, like the mind of the Buddha), I felt deep inside me the immense marching feet of tears saved over time for just this moment. Not so much tears of devotion, I think, as tears of recognition. Recognition of my ignorance.

Gingerly, I seated myself beside the burgundy-robed Tibetans, beside the tangerine-robed Thai monks. I am sure they are all clairvoyant and can see they have an impostor in their midst.

I search for my first mindful breath of the day. It’s here somewhere. I know it is.

Narrative
 

About The Author

Robert Hirschfield

Robert Hirschfield is a freelance writer and photographer whose work appears in Ode Magazine, The National Catholic Reporter, Outlook (the Indian newsweekly), and the London Jewish Chronicle, among other publications. He has travelled most recently to north and South India, and to Israel and the West Bank.

  • http://joshywashington.wordpress.com Joshywashington

    Damn I love this post. The sense of history and journey that is conveyed through so little words is amazing. What I would flail to address in 1,000 words Mr. Hirschfield can deliver in a simple few.

  • http://www.rebeccakinsella.wordpress.com Rebecca

    “I am sure they are all clairvoyant and can see they have an impostor in their midst”- this is exactly how I felt when I spent time a few weeks meditating amongst monks at a Buddhist centre.

    You’ve captured so much in this piece. I’m now going to spend the evening checking out the rest of your pieces of Travelers Notebook – thank you for your great writing!

  • http://shantiwallah.blogspot.com Marie

    Beautiful capture of the experience. Thank you for writing.

  • http://deleted G.B.S.N.P.Varma

    Robert,

    could you please explain your writing process. I am very much interested in how you go about doing the writing that straddles time and timeless.

Relationships →

“Hello Mrs. deBoer. I’m calling to inform you that…”

Narrative →

There are places you fall in love with and you don't know why.

Narrative →

C. Noah Pelletier meditates on his short lived music career, and how it started out in...

Narrative →

You can't go anywhere and just get a fresh meal. You have to go to a chain restaurant.

Narrative →

Just for kicks, I left a Syrian coin on a rock by the skidder.

Narrative →

Wasps and bees poured from the walls as the machinery did its job.

Narrative →

Robert Hirschfield reflects on the absence of words between two travelers and how that...

Narrative →

I found out that to ride a Palestinian bus as a foreigner makes you an honorary taster of...

Narrative →

C. Noah Pelletier spends his 30th birthday trying (but failing) to write, checking his...

Narrative →

Reeti Roy arrives in Edinburgh in the middle of the Fringe Festival, but alone,...

Narrative →

I was filled with foreigner's dread, knowing I was a curiosity first, an individual...