1. Hollywood
We’ve all seen the white-savior trope in movies: the well-intentioned, generous, and kind-hearted white person comes and saves the poor, needy people of color who are desperate for help. Doesn’t sound familiar? Some examples: Glory, Mississippi Burning, Cry Freedom, Dances with Wolves, Last Samurai, Django. Historian Kate Masur argued in a New York Times piece that in the film Lincoln “African-American characters do almost nothing but passively wait for white men to liberate them”. Most recently, the New York Times also described how this trope existed in the movie Free State of Jones and a Native American writer also called out the same narrative in The Revenant. Asian-American actress Constance Wu also recently challenged the new movie The Great Wall, in which, again, white male actor Matt Damon leads a film that deals with Asian history. She said: “We have to stop perpetuating the racist myth that only a white man can save the world. It’s not based in actual fact. Our heroes don’t look like Matt Damon.”