THE STRUCTURE RISES from the centre of Batumi like a spy-station, an out-sized television transmitter, a space-age helter-skelter.
The lower part is a mess of bars, poles, and support wires, wound around with immense strips of steel sheet metal, into which are cut letters in Georgian script, indecipherable as usual to me. In the middle of this mass of metal is an exposed elevator shaft leading to the crown of the structure, a colossal, silver, geodesic ball 30 or 40 metres in diameter. The silver coating on the ball is such that it can’t be said whether it’s made of metal or mirrored glass.