But what I do remember is the theatre: its minarets and Moorish features (it was originally a mosque), appropriately described as “beautifully outlandish, opulent, grandiose.”
A couple decades into the 20th century, a newspaper reviewer was in awe, noting a “picturesque and almost disturbing grandeur beyond imagination.” The highlight was—and still is—“an indoor Arabian courtyard with a sky full of flickering stars and magically drifting clouds,” a particularly spectacular backdrop for the angel who hovered from the ceiling by an invisible harness during the play.