In a recent interview at Paris Review, John McPhee talks about his writing structure, and how he uses the same method of outlining he learned in high school

Photo: Jesse Kruger

John McPhee is a Pulitzer prize-winning author and pioneer of narrative nonfiction.

The one book of his I’ve read (and really recommend) is Encounters with the Archdruid, which follows environmentalist David Brower as he confronts various ideological enemies of conservation–at one point going rafting with them down the Grand Canyon.

The book (and McPhee’s writing in general) uses these really powerful juxtapositions of place and character to convey complex themes.

In this recent interview, McPhee discusses how he structured this work using the same method he learned in high school. He essentially sits down with his notes and tries to come up with a lead. Then:

Once I’ve written the lead, I read the notes and then I read them again. I read them until they’re coming out my ears. Ideas occur, but what I’m doing, basically, is looking for logical ways in which to subdivide the material. I’m looking for things that fit together, things that relate. For each of these components, I create a code—it’s like an airport code. If a topic is upstate New York, I’ll write UNY or something in the margin. When I get done, the mass of notes has some tiny code beside each note. And I write each code on an index card.

The interviewer then asks him how his work on Encounters with the Archdruid began, and how many index cards there were:

Read the full article at MatadorU

Community Connection

How do you work out structure in your narrative nonfiction writing?
Have you ever used index cards?
Do you still use writing lessons you learned in high school or have you evolved your system?
Do you have an actual system / structure you use or does it vary from story to story?

How to Write
 

About The Author

David Miller

David Miller is senior editor of Matador (winner of 2010 and 2011 Lowell Thomas awards for travel journalism), and BETA magazine. After living for the last two years in Patagonia, Argentina, he is returning with his wife and two young children to the Southern US. Follow him @dahveed_miller.

  • http://meganahill.wordpress.com Megan Hill

    Fascinating. I love McPhee. Much more organized than I am…hmm…

  • http://www.sierrasurvey.com/davidtpage David Page

    Nice one, dahveed. McPhee is the master. I have yet to come across anyone with quite the same talent for rendering fascinating what had previously seemed mundane. But don’t stop with Encounters with the Archdruid! Maybe warm up with The Survival of the Bark Canoe, then spend this winter with Annals of the Former World…

    And I’m curious: what’s he say about finding that lede? I need one asap on the thing I’m working on right now!

    • http://matadortravel.com/travel-community/david-miller David Miller

      thanks d. and yes, i could totally ‘devour’ some more mcphee right now.

      the lede – he doesn’t give any real insight as to ‘how’ but gives more a set of ‘form follows function’ guidelines, which seems fair. for me anyway, the lead always seems to reveal itself, usually after a lot of trial and error, sitting with my notes, although not always.

      here’s what the maestro says:

      You write a lead. You sit down and think, Where do I want this piece to begin? What makes sense? It can’t be meretricious. It’s got to deliver on what you promise. It should shine like a flashlight down through the piece. So you write a beginning. Then you go back to your notes and start looking for an overall structure. It’s three times as easy if you’ve got that lead.

      BONUS VOCAB:

      Meretricious – Definition and More from the Free Merriam-Webster …

      1 : of or relating to a prostitute : having the nature of prostitution 2 a : tawdrily and falsely attractive .

  • Scott

    McPhee couldn’t write a bad book if he tried. He could write 200 pages on mud and make it interesting.

    Thank you too for bringing up again The Paris Review. The Art of Fiction interviews are more than worth the price of admission.

    And as for those index cards. I’ve been using them for years and find them very helpful. For my ten-year labor of love book I used them, had a card for each setting/scene, in short – hundreds. Made it very easy for me to spread certain bits of information over the course of the entire manuscript.

    For shorter pieces, which I’m just beginning to write again (not quite sure if I have another ten years in me:) I make notes in a spiral binder, mostly concerning ground I want to cover, then – somewhat in fashion of McPhee – go over and over and once again over them, then sit down and start typing.

    Another McPhee book that I read with great interest before a four month pack trip through Iceland was “The Control of Nature.” While on the island of Heimaey I had it very much in the front of my mind as I wandered the landscape where in 1973 a volcano simply sprang-up one night. When the lava flow threatened to block the narrow harbor mouth, those on the island decided to stop it with fire hoses! It worked.

    For those who like McPhee, might also look into a science writer named Richard Fortey. He wrote a book called “Life” which I read, and another called “Earth”. Both fascinating reads.

  • http://matadortrips.com/ Hal Amen

    So helpful to read about the processes of folks who’ve got it down. Thanks DM.

  • Greg Kruse

    I’ve got two books on my desk in front of me that I have found very helpful in thinking about literary journalism. One is the John McPhee Reader (there may be several editions of this) and the other is Francis Flaherty, The Elements of Story – Field Notes on Non-Fiction Writing. If you are reading McPhee because you want to write stuff that makes people see things in new ways, or think, or just get completely drawn in to your work, you might enjoy Flaherty’s book. Its entertaining, and distills the lessons of many years of editing at the New York Times.

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