Photo by karen horton, feature photo by BMeunier

The rise of the e-book may boost publishing sales, but the “EZ creation process” is more of a threat to writing itself.

“With this EZ tutorial, anyone can make an e-book!”

It was this advertisement that flipped my switch. iPads, Kindles, nooks and apps – bring ‘em on. I love the feel of a paper book, but I can’t deny the greatness of having my entire library stored on one portable gadget. Interactive children’s e-books? Thrillers with multi-media features? Count me in; I’ve been sailing the “technology will save the publishing industry” ship so long I can’t see the shore anymore.

“E-books are great. If you don’t think so, you’re wrong.”

I attended a writer’s conference in July, and one publisher had this to say: “E-books are great. If you don’t think so, you’re wrong.” He got a big laugh, but he meant it. Kindle-version sales may only account for a small percentage of most book sales at the moment, but that small percentage is significantly more than it was a year ago. E-readers aren’t going anywhere, at least in my opinion.

But this publisher was talking about e-books published through traditional publishers – in the Travel section, the guides, the narratives, the commercial stuff and the literary. Regardless of the content, a lot of work went into getting those words out of the writer, printed and bound for us to purchase. Self-publishing, while a different route, also takes a tremendous amount of effort.

And e-books? How much effort goes into writing one?

These “EZ creators” really can help even the least tech-savvy people create an impressive presentation; graphics, pictures, great formatting, eye-catching cover. It’s easy to create a professional-looking package, maybe even something worth charging a buck or two for.

But this package can also be used as a disguise. The simple process to become a “published author” means anyone can be an expert. A couple with two trips to Cancún under their belt can put together a travel guide to coastal Mexico and slap a $2.99 price tag on it. Cheaper than what you might find on Amazon, but worth it?

Photo by alancleaver_2000

The other problem, and one I find more interesting, is how much this contributes to the sheer amount of information there is on the Internet.

As I writer, I have to do a lot of research. If I Google “travel to Cancún,” I get 5,440,000 results. How much is accurate? How much can I rely on for journalistic integrity? And how many will bring on the thousand pop-up ads of doom?

In ten years, how much information will be online, and how much of it will actually be informative?

On the other hand, social media and the rise of the blog has put more power into the hands of the people, leading to (in some cases) more honesty and integrity than one normally finds on the six o’clock news.

Talent and skill aside, some writers just have an easier road to traditional publication than others, and the ebook platform puts us on more equal footing. If the quality is there, the writing will eventually rise above the garbage. Or at least, I’d like to hope.

In the end, anyone can make an e-book. Writing one, writing a book, writing a good book that’s worth not just the cost but the time it takes to read, is another matter entirely.

 
 

About The Author

Michelle Schusterman

Michelle is a musician, writer, and teacher just trying to see the world while doing what she loves for a living. She's taught ESL in Salvador, Brazil and kindergarten in Suwon, Korea, and now she's a full-time freelance writer living in Seattle (just to keep the city alliteration going). She'll try pretty much any food once and believes coffee is its own food group.

  • http://www.happenchance.net Seth M. Baker

    Hey Michelle,
    Cool article. Ebooks are a funny thing. Here’s my take:

    You wrote “If the quality is there, the writing will eventually rise above the garbage.” I agree. Sure, there are millions of ebooks out there, but most will fade out within a couple years or just linger in the digital aether.

    The good ebooks, they’ll survive because they’re worth talking about. Or they offer outstanding value. Social media, review sites, etc. will help move these books.

    Unless a writer already has a platform (for ex. a med-sized blog) or is a marketing whiz, ebooks don’t offer much, outside the satisfaction of packaging the writer’s work. Why? Many traditional publishers aren’t interested in something that’s already been published…unless it has already sold several hundred copies. But most self-published authors (ebook and paper) do well to sell more than a couple hundred copies.

    I think the real winners here are the people selling the EZ ebook creators and other marketing schemes. Like other vanity presses, they make most of their money by (preying on) offering services to writers.

    How necessary are these EZ ebook creators? Even old versions of Word can print .pdf files (standard format for ebooks), and I *think* the kindle ebook format is nothing more than modified HTML.

    Let the writer beware.

    • http://matadortravel.com/travel-community/michelles Michelle Schusterman

      Great point, Seth – it’s those behind the “creators” that are making out like bandits here. I have to admit, I looked into one once and was surprised at how little there was to it.

      Just like with self-publishing vs. traditional, I think there’s a place for this; some writers just want their ideas packaged nicely, others only want to distribute amongst a small crowd, and the ebook packaging services are great for that.

  • Matt K.

    Being an amateur musician, this almost feels like the big debate in the music industry: with home recording setups making it possible to create superb quality audio, record labels, like print publishers with DIY e-books, no longer have as much hold over the industry. Anyone can be a recorded artist.

    On the downside, there’s a whole lot more crap to wade through before you find anything good and valuable.

    On the upside, there’s a lot more available to suit every taste.

    In the same vein, I don’t think e-books are ever going to kill print, especially when it comes to literature that needs to be reviewed, sponsored, and fact-checked, like travel guides. There’s a lot more at stake when buying nonfiction than listening to an annoying band for 70 minutes. People will definitely pay a premium for good research that they can trust to provide them with better real-world experience.

    There’s also the “no batteries” perk of print. Never having to recharge can be a godsend when you’re backpacking somewhere and you need to check your guide maps to see where you’re going.

    Of course, there’s always the (preferable) option of asking locals for their favorite places to go and things to do.

    • http://matadortravel.com/travel-community/michelles Michelle Schusterman

      Matt, are you ever right on the music industry comparison. (I’m a musician too!) That one’s a rant for another day…makes my head spin!

      Great point about the “no batteries” perk. Technology sure doesn’t guarantee reliability!

  • http://www.ukonlinetraveldesk.co.uk David Firth

    Like musicians who cant get a record deal, there are many frustrated writers for whom the internet and ebook publishing is a great way to get themselves noticed.
    I have both a CD library for music, and a laptop full of music. Similarly I have a library of books, and a limited number of e-books. I rarely play the CD’s! The computer has taken over. Soon the ebook reader will do the same – especially for the traveller, as airlines charge more and more for baggage weight.

  • Durant Imboden

    The challenge with writing travel e-books is the same as the challenge with traditional printed books: How to get distribution and publicity. If you’ve already got a successful editorial travel-planning site or blog, you’ll be ahead of the game. And if you can use your existing Web content as source material for an affordable e-book, you’ll have an advantage over the author who’s writing an e-book from scratch.

 

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