10 questions to help when you’re writing for publication.

AFTER NINE MONTHS of working with students at MatadorU, along with another 3+ years of working with contributors at Matador in general, I’ve started to recognize some of the same patterns, the same things writers are doing–or avoiding doing–over and over.

I wanted to collect some of these patterns into simple questions to ask while you’re editing and revising your writing. These questions are most relevant to travel narratives, but can also be applied to really any form of travel writing or nonfiction.

1. How is your story revealing character?

Oftentimes beginning writers use structures that only observe characters and places “from a distance.” But it’s through close up interactions–characters acting and reacting to one another, that we learn who characters are. How is your story structured, and does that structure allow characters’ hopes, dreams, motivations, and emotions to be revealed?

2. Do your descriptions of characters stay superficial, or do they reveal subtext, such as their relationships?
3. Is the way you’re describing scenes / characters / places based strictly on the way you saw them, or are you also thinking about the overall effect the descriptions have on the reader?

Does describing, for example, every detail of a character’s “traditional garment” help or hinder the way your reader accesses the story?

4. Are you seeing other characters in a way that obscures your perspective?

Is your narrator describing people in a way that is romanticizing their lives, appropriating their problems or struggle, or making assumptions based on their cultural heritage or racial identity? We explored 8 ways of seeing people that can undermine your writing.

5. Are you recognizing that places, like people, continue to evolve and change, or are you “fixing” them in time so that they seem static?

This is another common trait of marketing style language–pulling places out of their temporal context so they seem less like an “entity” and more like a “product.”

6. Are you reducing places, stories, cultures, and characters in such a way that they simply become symbols and / or props for your philosophy, story, or ideas?
7. Are there cliches?

Are you describing things with cliches instead of concrete language or correct terminology? Are you using cliched expressions to “cover” places where you simple need more information?

We created a list of cliches that we’d prefer not to ever see in travel writing again.

8. Are you being transparent about your motivations to write the story, and your material connections to those in the story or who have sponsored it?
9. Are there cliched “constructions?”

Do you use certain forms of rhetoric that suggest rather than declare or in some way exploit emotional triggers of the reader? These are so common in marketing and advertising that they often enter other forms of writing subconsciously. Here’s a list of three of these common constructions.

10. Are you using fallacious logic?

When making points, have you constructed your argument based on faulty logic?

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About The Author

David Miller

David Miller is senior editor of Matador (winner of 2010 and 2011 Lowell Thomas awards for travel journalism), and BETA magazine. After living for the last two years in Patagonia, Argentina, he is returning with his wife and two young children to the Southern US. Follow him @dahveed_miller.

  • http://rebeccakinsella.wordpress.com/ rebecca

    thanks for this resource! it explains a few of the concepts i’m struggling with so it will be a handy reference.

  • http://metalchick.net/travel Lindi

    Wow David. This is awesome. Thanks for the great reminders when writing. This is my new favorite reference piece.

  • http://joshywashington.wordpress.com Joshywashington

    These are points we all need to keep in mind, no matter what we are writing. Thanks for keepin the travel writing world in check!!

  • http://annemerritt.blogspot.com Anne

    Great advice! It´s so valuable to hear those tips from editors themselves. #6 is a great point – I never thought about it before, but it makes a world of sense.

  • http://intheknowtraveler.com Devin

    Hi David,

    As an editor myself, I couldn’t agree more. Truthfully, writing is a tricky process and there are dozens of ways to not doing it well. I write about these types of writing topics often — I am glad I am not alone.
    Best,
    devin

  • http://www.rorymoulton.com Rory Moulton

    Great list, David. Bookmarked and printed for future reference. Thanks!

  • V

    I have another question, though it mostly applies to fiction: “Are you your narrator?”
    Thinking of a narrator as another character helps with so many things, such as:
    consistency of tone, keeping scope in check, and keeping descriptions fresh.
    Even non-fiction can profit from an examination of your voice as a character. It is easier to take the romance out of it, and better engage your inner editor.

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