Iceland. Photo by Paul Sullivan

We recently posed a question on our Facebook Fan Page: What’s the one skill every travel photographer needs to develop?

IT’S A DECEPTIVELY difficult question, since so many skills can be applied to so many situations. For example, the opportunity to take the image above, snapped during a recent trip to Iceland, came up very suddenly. I was driving with friends from the Westfjords region back to Reykjavik when the aurora borealis appeared in the sky – boom!

We were driving on a highway and had to find a place to pull over. At first I didn’t think I would be able to get a good shot since the lights were shimmering away beautifully on the other side of the road – the foreground would have been lots of nasty highway.

Then they began to appear above the farmhouse in front of us. I also thought this wasn’t such a great angle either, especially with the trucks and telegraph wires seemingly in the way. It was freezing cold outside (as it normally is when the lights appear) and I was tired after driving for several hours. We had also nearly crashed earlier on the drive after hitting some ice on the road, and a big part of me wanted to stay warm in the car and watch through the window!

But I dragged my camera and tripod out of the car and began sizing up the scene. As I did so, the lights formed a kind of halo around the truck, which suddenly seemed to create a quite nice thematic counterpoint – heavy and industrial compared to the celestial majesty of the lights – and the naked trees and farmhouse all looked suddenly quite interesting.

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About The Author

Paul Sullivan

Paul Sullivan has been a freelance writer and photographer since 2000. Operating primarily in the realm of music, travel, lifestyle, and culture, his work has taken him around the world. His work has appeared in/on the BBC, Dazed and Confused, DrownedInSound, Electronic Beats, The Face, The Guardian, DJ, Intelligent Life, iDJ, fRoots, The Independent, Observer Music Monthly, National Geographic Music, Time Out, Wax Poetics, The Wire, and others. He currently lives in Berlin.

  • http://www.sonotlost.com/ Ren Robles

    Patience/tenacity… because you won’t always get the photo you want on the first shot.

  • http://www.bearshapedsphere.blogspot.com eileen

    That is stunning.

    Patience perhaps might not be a bad addition to the arsenal?

  • http://cuadernoinedito.wordpress.com Julie

    In addition to all these great tips, I’d add the ability to build community and an audience. It’s true for travel writers, as well. We all need to be able to get outside of ourselves, as our work has some very solitary moments, and be able to build supportive networks of colleagues, readers, and friends.

  • joshua johnson

    I resonate with ~ *Alex Blackwelder” “It’s more of a characteristic, but I’d say respect.” in the case of the travel photographer. Respecting the people and places as not merely novelties and flickr bragging rights but as sovereign entities.

  • TimR

    I’d add a love for what you’re shooting. With that, a lot of the other things take care of themselves.

  • http://www.mikesryukyugallery.com Michael Lynch

    “Intuition”: You’ve got it. Super shot !

  • http://thesegoldenhours.blogspot.com maya

    that’s an otherworldly picture! and i’d say “open eyes”, too.

  • http://www.Travel-Writers-Exchange.com Travel-Writers-Exchange.com

    Visualization. Can you visualize how you want your photos to look? Are you able to see them in your mind and then transport them to the finish product? Don’t over think your photos. Find your light and go for it.

  • mattnnz

    Take a camera everywhere if you like what you see take a shot. These days with a digital cameras it costs nothing play around.

  • http://jonnyontheroad.blogspot.com Jonny

    other people may have said the same thing differently: soft eyes.
    if you focus on one subject, shot, or point of focus too intently you miss the forest for the trees. or you miss the most beautiful tree in the forest for a mediocre one.

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