What’s the one skill every travel photographer needs to develop?
Iceland. Photo by Paul Sullivan
IT’S A DECEPTIVELY difficult question, since so many skills can be applied to so many situations. For example, the opportunity to take the image above, snapped during a recent trip to Iceland, came up very suddenly. I was driving with friends from the Westfjords region back to Reykjavik when the aurora borealis appeared in the sky – boom!
We were driving on a highway and had to find a place to pull over. At first I didn’t think I would be able to get a good shot since the lights were shimmering away beautifully on the other side of the road – the foreground would have been lots of nasty highway.
Then they began to appear above the farmhouse in front of us. I also thought this wasn’t such a great angle either, especially with the trucks and telegraph wires seemingly in the way. It was freezing cold outside (as it normally is when the lights appear) and I was tired after driving for several hours. We had also nearly crashed earlier on the drive after hitting some ice on the road, and a big part of me wanted to stay warm in the car and watch through the window!
But I dragged my camera and tripod out of the car and began sizing up the scene. As I did so, the lights formed a kind of halo around the truck, which suddenly seemed to create a quite nice thematic counterpoint – heavy and industrial compared to the celestial majesty of the lights – and the naked trees and farmhouse all looked suddenly quite interesting.
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Paul Sullivan
Paul Sullivan has been a freelance writer and photographer since 2000. Operating primarily in the realm of music, travel, lifestyle, and culture, his work has taken him around the world. His work has appeared in/on the BBC, Dazed and Confused, DrownedInSound, Electronic Beats, The Face, The Guardian, DJ, Intelligent Life, iDJ, fRoots, The Independent, Observer Music Monthly, National Geographic Music, Time Out, Wax Poetics, The Wire, and others. He currently lives in Berlin.
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